Papadopoulos and Sons

Director: Marcus Markou

Year: 2022

As Cassie and Matthew come to the end of a bitter divorce proceeding, Cassie produces a forgotten letter from their younger selves suggesting advice in the event of a future separation. The letter specifies a list of items to help them recreate memories from the past, so that they "can let go of each other with love and not with fear". Matthew reluctantly agrees to do the first item on the list - to meet Cassie in the park where they were first alone together, 20 years before. This meeting starts a chain reaction of events, a release of memories and a confrontation with a challenging past - as the couple start to understand who they became in their marriage. Over the next four intense days, Cassie and Matthew find themselves painfully drawn back together but continue to struggle at what it means to reconnect.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.