(Past Present Future) Imperfect

Director: Roger Thorp

Year: 2001

For his feature debut, musician/photographer/film-maker Roger Thorp returns to themes that have informed much of his previous work, which includes films for the International Labour Organisation and the United Nations. Naked August traces the relationship between two loners, a young drifter and a musician, who meet and find in each other a kindred spirit to banish the feelings of isolation and alienation that have dominated their young lives. Starring in the lead roles are two young graduates from the Bristol Old Vic, Sophie Clarke and Adam Penny. Shot on digital video in February and March this year in Bristol, the film, which has been blown up to 35mm, was produced by Parrallel Pictures, the company founded in 1993 by Iain Brown and Bill Chamberlain. Says Chamberlain: 'The film is very much in the European arthouse tradition, in terms of its themes and its style. Although it deals with quite downbeat issues of alienation and malaise, it's a very uplifting film.'

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.