Pasty Faces

Director: David Baker

Year: 2000

Writer-director David Baker takes the lead alongside Alan McCafferty in a comedy caper about two down-at-heel actors who flee Glasgow for Hollywood and the promise of fame and fortune only to find their mates working as cleaners and living in a roadie bus. Setting off for Las Vegas in a last ditch attempt to make some money, they become embroiled in a plan to rob a casino, partly because they can pull off a tough hoodlum act. Before too long they are taking method acting one step too far as fact and fiction start to overlap with disastrous and hilarious results. Baker adopted an unusual approach to get his debut film financed. He shot a short promo reel on digital video in the real locations and with his chosen cast and in September last year took it to sales and production outfit Victor Film Co in London. "We took one look and realised immediately he knew what he was doing," says the company's Alasdair Waddell. "It was fast, fun, witty and had great performances, and David has brought all that to the full-length version." Victor Film teamed up with Christopher Figg at Noel Gay Motion Picture Co and they worked on the screenplay with Baker. Financing came from Metrodome Pictures and a syndicate of investors led by Angad Paul, who was also involved in Lock, Stock And Two Smoking Barrels. By February the film was in production. The completed film is now being shown to US distributors and is due for UK release later this year.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.