Paul Dood's Deadly Lunch Break
Synopsis
Official Selection SXSW Film Festival 2021 - Narrative Spotlight - World premiere
Details
- Year
- 2021
- Type of project
- Features
- Running time
- 101 min
- Director
-
Nick Gillespie 1st Feature
- Producer
- Finn Bruce
- Executive Producer
- James Appleton
- Editor
- Tom Longmore
- Screenwriter
- Brook Driver, Matt White, Nick Gillespie
- Director of Photography
- Billy J. Jackson
- Production Designer
- Laura Little
- Composer
- Dan Baboulene
- Principal cast
- Tom Meeten, Katherine Parkinson, Kris Marshall, Alice Lowe, Mandeep Dhillon, Johnny Vegas, Steve Oram, Craig Parkinson, Kevin Bishop, Pippa Haywood
Categories
Production Status
Production Company
Belstone Pictures
4A Oakley StreetLondon SW3 5NN
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Belly of the Bulldog
Director: Nick Gillespie
Year: 2015
With nowhere else to hide, a group of mercenaries and their two prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the belly of the Bulldog.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.