Pen Mari
Synopsis
Official Selection FantasticFest 2025
Official Selection Encounters Film Festival 2025
Official Selection London Short Film Festival 2026
Details
- Year
- 2025
- Type of project
- Shorts
- Running time
- 12 min 36 sec
- Format
- 16mm
- Director
-
Siôn Marshall-Waters
- Producer
- Denzil Monk
- Executive Producer
- Holly Fraser, Alex Mattinson, Nadia Attia, Alice Cabañas
- Editor
- Ben Read
- Screenwriter
- Callum Mitchell
- Director of Photography
- Ruben Woodin Dechamps
- Production Designer
- Rowena Zoro
- Sound
- Laurence Nelson
- Composer
- Copper Sounds
- Principal cast
- Rhodri Evan, Jowan Jacobs, Robert Pugh
- Costume Designers
- Giulia Chini Morgan Richards
- HMU Designer
- Zoë Pyne
- Colourist
- Michael Todd
Categories
Production Status
Production Company
Supported by BFI NETWORK
Bosena Ltd
Denzil MonkOffice No. 4 at Trereife Park Offices
Trereife
Newlyn
Kernow
TR20 8TB
Sales Company
Bosena Ltd
Denzil MonkOffice No. 4 at Trereife Park Offices
Trereife
Newlyn
Kernow
TR20 8TB
Page updates
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See also
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Year: 2021
Two elderly brothers live together on a small farm in Forest Coal Pit. This super 8mm portrait explores the mundanity, vibrancy and intimacy of their relationship and hyperlocal world. As they feed their livestock, tend to their garden, the brothers discuss elephants in China, lobster fisherman, ghosts and each other. Official Selection BFI London Film Festival 2021 Official Selection Cork International Film Festival 2022
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.