Pendulum Drift
Synopsis
Details
- Year
- 2025
- Type of project
- Features
- Running time
- 92 min
- Format
- HDCAM
- Director
-
Shehzad Afzal 1st Feature
- Producer
- Shehzad Afzal
- Editor
- Shehzad Afzal
- Screenwriter
- Shehzad Afzal
- Director of Photography
- Garry Torrance
- Production Designer
- Jacki Clark
- Sound
- Graham Day
- Composer
- Shaahan Afzal
- Principal cast
- Atta Yaqub, Christopher Hill, Danielle Farrow, Francois Menard-Noens, Jack Carswell, James Clark, Joanne Thomson, Lauren Lamarr, Matthew Dudley, Mark Horn, Marty Benvenuty, Nicolas Conrad Modlin, Nicolette McKeown, Ruth Tapp, Tom McBride, Vivien Taylor
- Make-Up Artist
- James Clark
- 1st Assistant Director
- Paul McGinness
- 1st Assistant Camera
- Iain Miller
- 2nd Assistant Camera
- Alastair Boyce
- Camera Trainee
- Matthew O'Leary
- Lighting Technician
- Robbie Cairns
- Sound Assistant
- Robbie Cairns
- Boom Operator
- Ryan Hill
- Driver/Runner
- Nick Cross
- Production Assistant
- Renata Farkas
- Sound SFX
- Shehzad Afzal
- Sound and Dialogue Mix
- Shehzad Afzal
- Colour Correction/Colour Grading
- Shehzad Afzal
- Additional Music
- Shehzad Afzal
Genre
Production Status
Production Company
Sales Company
Page updates
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See also
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About an Intimate Matter
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.