Project Detail

Pieces

Synopsis

An unspoken incident unravels the lives of two families into nightmare, fracturing time and memory.

Details

Year
2013
Type of project
Shorts
Running time
15 mins
Format
Arri Alexa
Director
Jack Weatherley
Producer
James Levison
Editor
Alex Marsh
Screenwriter
Jack Weatherley
Director of Photography
Laurie Rose
Production Designer
Simon Rogers
Sound
Rob Entwistle, Martin Pavey
Composer
Toydrum and Gavin Clark
Principal cast
Michael Smiley, George MacKay, Alice Lowe, Paul Kaye, Tanya Franks
Casting Director
Sarah Crowe Associates
Gaffer
Martin Taylor
Spark
Luke Farley
1at Assistant Camera
Nick Gillespie
2nd Assistant Camera
Alex Parish
1st Assistant Director
Lynsey Muir
Script Supervisor
Lola Dauda
Costume Designer
Alex Watherston
Hair & Make Up Designer
Natasha Nikolic
Art Director
Lucy Haley
Colourist
Rob Pizzey

Genre

Categories

Production Status

Production Company

Wingbeat Pictures

E: james@wingbeatpictures.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Straight Way Lost Straight Way Lost

Director: Jack Weatherley

Year: 2010

A man's journey to a dark place where he no longer controls his own life.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.