Playground Logic
Synopsis
Details
- Year
- 2005
- Type of project
- Features
- Running time
- 97 mins
- Format
- DV
- Director
-
Matthew Sanger 1st Feature
- Producer
- Fiona McAlpine
- Co-Producer
- Fiona McAlpine
- Executive Producer
- Darren Bender
- Editor
- Matthew Sanger
- Screenwriter
- Matthew Sanger, Jim Barton
- Director of Photography
- Matthew Sanger
- Composer
- Ben Foster
Genre
Categories
Production Status
Production Company
Prelude Productions, Screen East
darren@bentfilms.co.uk
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See also
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The Other Woman
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A car idles at the end of a dirt track, its headlights pointing out into the forest. Inside: two women. The Redhead has a gun. She idly, but dangerously, holds it on the Blonde girl beside her. Redhead does most of the talking. Blonde's eyes dart in quiet fear as she hears about what her 'faithful' man has been up to. With Redhead. Not just sex, but business. Lucrative. And criminal. He's not the man Blonde thought he was. Jesus, that's an understatement. Is Redhead telling the truth? Is Blonde in this situation simply because Redhead changed her mind and doesn't want to share the spoils of the last job they did together? A simple hostage handover? Or is it even simpler: Redhead wanted him all to herself and he said no. Revenge. Either way, he's late arriving. And Redhead's trigger-finger is beginning to twitch.
About an Intimate Matter
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.