Project Detail

Playing with Fire: An Immersive Odyssey with Yuja Wang

Playing with Fire: An Immersive Odyssey with Yuja Wang

Synopsis

PLAYING WITH FIRE introduces audiences to an intimate virtual performance by Yuja Wang, inviting guests to witness the physical and mental act of performance through repertoire personally selected by Yuja, ranging from Bach and Chopin to Debussy, Prokofiev and Stravinsky. From this repertoire, writer and director Pierre-Alain Giraud has crafted a narrative and created transformative visual and musical worlds in collaboration with artist Gabríela Friðriksdóttir.
At the center of the space, both real and virtual, is a Steinway & Sons Spirio concert grand piano, which acts as the bridge between the concert hall and the artist’s inner visions. The Spirio system—an advanced self-playing technology that can precisely record and reproduce the keystrokes of live performances—recreates Yuja’s virtuosity on the physical instrument in real time, synchronised with the holographic fingers of her virtual self.
Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere

Details

Year
2025
Type of project
XR / Immersive
Running time
40 min
Format
Mixed reality location-based experience
Director
Pierre-Alain Giraud
Producer
VIVE Arts, Atlas V
Co-Producer
Atlas V
Executive Producer
VIVE Arts
Production Designer
Laurence Fontaine
Sound
Nicolas Becker, Antoine Martin
Composer
Various
Principal cast
Yuja Wang
Other Lead Creative(s)
Pierre-Alain Giraud, Gabríela Friðriksdóttir
Project Title Note
FKA Playing with Fire: An Immersive Odyssey with Yuja Wang

Production Status

Page updates

This page was last updated on 10th November 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Face, boy, eclipse A Season in Secret

Director: Matthew Berka

Year: 2027

A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”

Fevers Fevers

Director: James Richards

Year: 2026

Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.