Plaza

Director: Martyn Pick

Year: 2011

ULTRAMARINES is a tense science-fantasy action thriller set in the 41st Millenium, when the galaxy is burning and there is nothing but war. Mankind's sole defence against the lurking alien races are the Space Marines, genetically enhanced super-warriors, for whom loyalty to their emperor is all. The most fearless chapter of this mighty army is the Ultramarines. Based on the internationally successful futuristic table-top war strategy game, WARHAMMER 40,000, ULTRAMARINES uses state-of the art facial capture technology and stunning CGI animation to bring powerfully to life the Space Marines characters and their adversaries. With a voice cast led by Terence Stamp (Superman, Valkyrie), John Hurt (Alien, Hellboy) and Sean Pertwee (Event Horizon, Dog Soldiers), this is the first-ever feature length movie interpretation of the Warhammer 40,000 universe.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.