Project Detail

Plenty of Spoons

Synopsis

Old age encroaches and Jack is threatened with separation from his beloved wife, when a chance meeting with a young thug brings a disturbing resolution.

Plenty of Spoons prompts its audience to consider the issues of community care, respect across the generations and how our society values its elders.

Details

Year
2006
Type of project
Shorts
Running time
9 mins 52 secs
Format
DigiBeta
Director
Simon Hook
Producer
Footprint Films, Screen South, UK Film Council
Co-Producer
Footprint Films, Screen South, UK Film Council
Editor
Andrew Wilson, Simon Hook
Screenwriter
Jayne Kirkham
Director of Photography
David Amphlett
Sound
Henry Milliner, Tim Peck
Composer
Mark Lord, Laurence Frewer
Principal cast
John Bennett, Eve Pearce, Jamie McCleod-Ross

Genre

Categories

Production Status

Production Company

Brown & Sticky Productions Ltd

68 Cressingham Road
Reading
Berkshire RG2 7JR
UK

T +44 (0)11 8975 5704

info@brownandsticky.net

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

6.6.04 6.6.04

Director: Simon Hook

Year: 2006

One continuous five-minute take of escalating human drama, captured unwittingly on a camcorder.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.