Plunkett and Macleane

Director: Jake Scott

Year: 2021

On 10th and 11th August 1996, 250,000 young music fans converged on Knebworth Park to see Oasis play two record breaking, era defining shows. The landmark concerts sold out in under a day with over 2% of the UK population attempting to buy tickets. This was a time when the UK was slowly recovering from a decade of recession. A surging confidence in arts and culture ushered in Cool Britannia and Oasis meteoric rise reflected the country's new-found conviction and swagger. Featuring a setlist packed from beginning to end with stone cold classics, including Champagne Supernova, Wonderwall and Don't Look Back In Anger, the Knebworth concerts were both the pinnacle of the band's success and the landmark gathering for a generation. OASIS KNEBWORTH 1996 is the story of that weekend and the special relationship between Oasis and their fans that made it possible. It is told through the eyes of the fans who were there, with additional interviews with the band and concert organisers. Directed by Jake Scott from extensive concert and exclusive never-before seen footage, this is a joyful and at times poignant cinematic celebration of one of the most important concert events of the last 25 years.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.