Poppet
Synopsis
Details
- Year
- 2017
- Type of project
- Shorts
- Running time
- 4 mins 38 secs
- Format
- Digital
- Director
-
Gregory Mandry
- Producer
- Geoff Austin
- Editor
- Danial Harris
- Screenwriter
- Gregory Mandry
- Director of Photography
- Danial Harris
- Sound
- Mark Jefferis
- Composer
- Sandy McLelland
- Principal cast
- Federica Marilotti, Poppy Lawless, Joel Harper
- 1st AD
- Jenny Faulkner
- Makeup
- Nadia Austin
- 2nd Camera
- Jamie Buckingham
Categories
Production Status
Production Company
The Big Yellow Feet Production Co. Ltd.
Gregory MandryPage updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Gnaw
Director: Gregory Mandry
Year: 2009
In this dark, tongue in cheek, British Horror, six friends take a holiday in the heart of the English countryside which turns into a culinary nightmare when they discover that their hosts are a sadistic family of cannibals, set on turning their guests into their next meal! It's nice to have your friends for dinner.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.