Powertool Cheerleaders vs the Boyband of the Screeching Dead

Director: Pat Higgins

Year: 2006

If you're going to give people a great deal of power, you need to know that they can handle it. To test an experimental implant that gives people complete control over their environment, a secret agency assembles five strangers. According to their reading habits, employment histories and shopping records, they are five of the most balanced people in England. These five are offered an opportunity to spend a week in a specially designed house, in which they will have ultimate power during set hours of the day, within their own rooms. Two of the subjects, David and Lucy, create an environment of 50s domestic tranquillity. Another, Charlotte, uses the power to gain knowledge and advance mankind. Another, Luke, is just looking to have as much fun as possible. There is, however, a fly in the ointment. The final subject, James Todd, is not who he claimed to be. The records weren't his. He is not one of the most balanced people in England. He's a borderline psychopath, and having so much power at his fingertips looks set to erase that border altogether.  

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.