Pretty Red Dress
Synopsis
Official Selection BFI London Film Festival 2022 - World premiere
Official Selection International Film Festival Rotterdam 2023 - International premiere
Details
- Year
- 2022
- Type of project
- Features
- Running time
- 110 min
- Director
-
Dionne Edwards 1st Feature
- Producer
- Georgia Goggin
- Executive Producer
- Farhana Bhula, Robert A. Halmi, Bennett McGhee, Jim Reeve, Eva Yates
- Editor
- Andonis Trattos
- Screenwriter
- Dionne Edwards
- Director of Photography
- Adam Scarth
- Composer
- Brijs
- Principal cast
- Natey Jones, Alexandra Burke, Temilola Olatunbosun
Categories
Production Status
Production Company
A Teng Teng Films Magellanic Media production with support from BBC Film, BFI, Sundance Institute
Sales Company
Protagonist Pictures
2 Riding House StreetLondon
W1W 7FA
Page updates
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See also
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Director: Dionne Edwards
Year: 2016
When Ella was twelve, she had her first fight. And when she was twelve, she discovered sex. Now eighteen, Ella reflects on how her obsession with her older brother Michael's best friend Moses left her with a secret she still carries. Official Selection BFI London Film Festival 2016 - World premiere
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.