Puffball
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 120 mins
- Format
- Super 16mm
- Director
-
Nicolas Roeg
- Producer
- Paul Trijbits, Peter Measroch, Paul Donovan
- Co-Producer
- Paul Trijbits, Peter Measroch, Paul Donovan
- Editor
- Tony Palmer
- Screenwriter
- Dan Weldon
- Director of Photography
- Nigel Willoughby
- Production Designer
- Anna Rackard
- Sound
- Mike Shoring
- Composer
- Chris Crilly, Delphine Measroch, Thierry Gauthier
- Principal cast
- Kelly Reilly, Miranda Richardson, Rita Tushingham, Donald Sutherland
Categories
Production Status
Production Company
Dan Films Limited
32 Maple StreetLondon W1T 6HB
UK
T +44 (0)20 7916 4771
Sales Company
Wild Bunch
99 rue de la Verrerie75004 Paris
France
T +33 6 15 20 12 30
www.wildbunch.biz
Page updates
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See also
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The Man Who Fell to Earth
Director: Nicolas Roeg
Year: 1976
Crash-landing on Earth from his dying planet, an alien humanoid travelling by the name of Thomas Jerome Newton (David Bowie) uses his superior intelligence to build a vast business empire. As he takes on, and beats, every US corporation people can only guess his true purpose – to save his dying world from agonizing death by drought. Newton’s ageless fall from grace, as he becomes prey to lust, alcohol, business rivals, and the US Government, makes 'The Man Who Fell To Earth' not only a bitingly caustic indictment of the modern world but also a poignant commentary on the loneliness of the outsider. A science-fiction cult classic. Official Selection Berlinale 2016 - Berlinale Special – Tribute to David Bowie
About an Intimate Matter
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Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.