Radio at Night / Raking Light / The Misty Suite
Synopsis
Official Selection BFI London Film Festival 2015 - Experiementa Strand
Details
- Year
- 2015
- Type of project
- Shorts
- Running time
- 20 mins
- Director
-
James Richards
- Producer
- James Richards
- Editor
- James Richards
- Screenwriter
- James Richards
- Director of Photography
- James Richards
- Sound
- James Richards
Genre
Categories
Production Status
Production Company
UK, Germany coproduction
James Richards Production
c/o LUX Film and VideoShacklewell Studios
18 Shacklewell Lane
London
E8 2EZ
Sales Company
Rodeo
123 Charing Cross RoadLondon
WC2H 0EW
Cabinet
Apartment 649-59 Old Street
London
EC1 V 9HX
LUX Film and Video
Shacklewell Studios18 Shacklewell Lane
London
E8 2EZ
Page updates
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See also
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Fevers
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Year: 2026
Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere
Uncontrollable Universe
Director: James Richards
Year: 2019
Scans of medical equipment, X-rays and scraps of found material emerge in counterpoint to a fragmentary, manipulated soundtrack led by the human voice. A rumination on the relationship between the body and technology, UNCONTROLLABLE UNIVERSE continues Richards’ investigation into the formal possibilities of collage and an embodied, affective moving image. Official Selection BFI London Film Festival 2019 - Experimenta Strand
A Season in Secret
Director: Matthew Berka
Year: 2027
A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”