Project Detail

Ravi Goes To School

Synopsis

The idyllic world of 6 year-old Ravi (the Watchman's son) is tranformed when Pooja moves into the building with her husband Rohit. Pooja takes Ravi under her wing, puts him in school and introduces him to a whole new world, but can she keep it up.

Details

Year
2009
Type of project
Shorts
Running time
30 mins
Format
S.16mm Col
Director
Anupama Menon
Producer
The London Film School
Co-Producer
The London Film School
Editor
Aarif Sheikh
Screenwriter
Anupama Menon
Director of Photography
Harald Beeker
Sound
Nihar Samal
Composer
Vishwajeet
Principal cast
Ravi Kumar, Heeba Shah, Priti Nigam, Nagesh Karra, Ajay Gehi

Categories

Production Status

Production Company

The London Film School

24 Shelton Street
London WC2H 9UB
UK

T +44 (0)20 7240 0161

Sales Company

The London Film School

24 Shelton Street
London WC2H 9UB
UK

T +44 (0)20 7240 0161

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Fock Helen and Harry Fock Helen and Harry

Director: Anupama Menon

Year: 2009

Luke fancies Mandy, Mandy fancies Harry, Harry fancies Helen and Helen fancies anyone. Mandy fancies (unconsciously, of course). This is a film about friendships and relationships and how they keep coming in the way of each other.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.