Relic 1
Synopsis
Taking place across various landscapes and locations, the project builds upon a postcolonial perspective informed by technology, agency and the body, and narratives of migration.
Details
- Year
- 2017
- Type of project
- Shorts
- Running time
- 14 mins 13 secs
- Format
- 4K (Digital)
- Director
-
Larry Achiampong
- Producer
- Nephertiti Oboshie Schandorf
- Editor
- Larry Achiampong, Shiraz Bayjoo
- Screenwriter
- Larry Achiampong
- Director of Photography
- Larry Achiampong
- Production Designer
- Larry Achiampong, Hayleigh-Joy Rose, Wumi Olaosebikan
- Sound
- Larry Achiampong
- Composer
- Larry Achiampong
- Principal cast
- Sinai Lee Achiampong
Genre
Categories
Production Status
Production Company
A Studio Larry Achiampong production. Commissioned by PS/Y with funding support from Arts Council England
Studio Larry Achiampong
Sales Company
Studio Larry Achiampong
Page updates
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See also
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The Expulsion
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Year: 2019
THE EXPULSION a deeply personal work crafted from the imagination of Larry Achiampong. The short film highlights the rich interior world of an unnamed migrant with references to themes of race, class and gender. In this work, the artist invokes the energy and memories of a pre-gentrified 1990s east London. The film deftly weaving testimonies and daydreams with the monotonous rhythms of physical labour and the weight of frustrating consumerist aspirations in the city’s West End. Shot in 4k resolution, THE EXPULSION’s lyrical script, undulating visuals and hypnotic original score connect an ever-present past to current concerns of societal iniquity, class ceilings and erased histories.
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.