Renaissance
Synopsis
Karas constructs an intriguing picture of the missing girl, a child of war and exile, envied for her beauty, possessed of a brilliant imagination and a passion for perfection. As he retraces Ilona's movements, he senses he has unwelcome company, and his stalkers will do anything to get in his way. Karas is spied on and threatened, witnesses are assassinated, someone tries to kill him. The cop no longer knows if his quarry is victim or villain, angel or monster. To locate her becomes a matter of life or death for Karas, and maybe for the whole of civilization. She holds the scientific key to the ultimate question, whether man can be made God: the Renaissance protocol.
Details
- Year
- 2007
- Type of project
- Features
- Running time
- 95 mins
- Format
- 35mm
- Director
-
Christian Volckman
- Producer
- Aton Soumache, Alexis Vonarb
- Screenwriter
- Alexandre Paterlliere, Matthieu De La Porte
- Composer
- Nicholas Dodd
- Principal cast
- Daniel Craig, Jonathan Pryce, Catherine McCormack, Romola Garai, Ian Holm
Genre
Categories
Production Status
Production Company
Onyx Films
Sales Company
Odyssey Entertainment
tamzin@odyssey-entertainment.co.uk
Page updates
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See also
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Renaissance
Director: Christian Volckman
Year: 2007
Paris, 2054. Ilona Tasuiev, a young, brilliant researcher is violently kidnapped. Initial attempts to find her are in vain. Avalon, a giant multinational corporation and her employer, wants her found at any cost and has requested that Officer Bartholomew Karas (Daniel Craig), a hostage specialist and the most controversial cop in the force, be in charge of the case. Karas finds a connection between Ilona and scientist Dr Jonas Muller (Ian Holm), and he meets Ilona’s beautiful sister Bislane (Catherine McCormack). He builds an intriguing picture of the missing girl and he retraces her movements through the jungles that are the new Parisian districts: he is spied on, threatened, witnesses are assassinated and someone tries to kill him. The cop no longer knows if his quarry is angel or monster. To find Ilona becomes a matter of life or death for Karas and for the whole of civilization.
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.