Resurrecting 'The Street Walker'
Synopsis
Spotting an opportunity to get noticed and maybe even make some money, James sets out to complete this long forgotten, unfinished, video nasty, sparking a chain of events which culminate in an act of terrible and shocking violence. Taking the form of multi-layered faux documentary, this is a study in obsession, unchecked ambition and a descent into madness.
Details
- Year
- 2010
- Type of project
- Features
- Running time
- 80 mins
- Format
- HD
- Director
-
Ozgur Uyanik 1st Feature
- Producer
- Nik Powell, Stephen May, Paul Cobham
- Co-Producer
- Nik Powell, Stephen May, Paul Cobham
- Editor
- Ozgur Uyanik
- Screenwriter
- Ozgur Uyanik
- Director of Photography
- Paul Englefield
- Production Designer
- Byron Broadbent
- Sound
- Tom Barrow, Jodie Campbell, Michael Taylor, John Quinn
- Composer
- Edwin Sykes
- Principal cast
- James Powell, Tom Shaw, Lorna Beckett, Hugh Armstrong, Gergory Duke
Categories
Production Status
Production Company
2nd Floor Productions
2nd Floor37 Foley Street
London W1W 7TN
UK
T +44 (0)20 7637 5720
Page updates
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See also
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Oblivious
Director: Ozgur Uyanik
Year: 2000
A boy-meets-girl story with a sting in its tail. And goldfish.
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Director: Sandeep Kumar Paul
Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.