Retreat
Synopsis
Official Selection Toronto International Film Festival 2025 - World premiere
Official Selection BFI London Film Festival 2025
Official Selection Zurich Film Festival 2025
Details
- Year
- 2025
- Type of project
- Features
- Running time
- 107 min
- Director
-
Ted Evans 1st Feature
- Producer
- Jen Monks, Michelle Stein, Alex Usborne
- Executive Producer
- Paul Ashton, Louise Ortega, Claudia Yusef
- Editor
- Adelina Bichis
- Screenwriter
- Ted Evans
- Director of Photography
- Luciana Riso
- Production Designer
- Elena Muntoni
- Principal cast
- Anne Zander, James Boyle, Ace Mahbaz, Anna Seymour, Sophie Stone, Tianah Hodding
Genre
Categories
Production Status
Production Company
Supported by BBC Film, BFI, Creative UK, West Midlands Production Fund
Come Into The Fold Ltd.
Michelle SteinTarbock Hall Lodge
Ox Lane
Tarbock Green
Prescot
L35 1QA
104 Films
Alex UsborneThe Workstation
15 Paternoster Row
Sheffield
S1 2BX
Sales Company
Page updates
This page was last updated on 24th November 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
To Know Him
Director: Ted Evans
Year: 2018
When a tragic accident leaves Sarah grieving for her deaf partner Rob, she is forced to track down and engage with his estranged hearing father. To lay the man she loves to rest, Sarah must overcome a barrier far greater than language.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.