Revolting Rhymes Part Two
Synopsis
Details
- Year
- 2016
- Type of project
- Shorts
- Running time
- 29 mins
- Director
-
Jan Lachauer, Jakob Schuh; Co-Director: Bin-Han To
- Producer
- Martin Pope, Michael Rose
- Co-Producer
- Mike Buckland
- Executive Producer
- Dominic Gregory, Elizabeth Kilgarriff
- Editor
- Benjamin Quabeck, Jan Lachauer
- Screenwriter
- Jan Lachauer (adaptation), Jakob Schuh (adaptation), Roald Dahl (original book), Quentin Blakes (original book illustration)
- Production Designer
- Nadya Mira
- Sound
- Sound Designer and Mixer: Adrian Rhodes
- Composer
- Ben Locket; Additional Music: Terry Davies, Pete Grogan
- Principal cast
- Voice Cast: Rose Leslie, Gemma Chan, Dominic West, Rob Brydon, Isaac Hempstead Wright, Bel Poweley, David Walliams, Bertie Carvel, Dylan Issberner, Amelie Forester-Evans
Genre
Production Status
Production Company
Magic Light Pictures
21 Goodge StreetLondon
W1T 2PJ
Sales Company
Magic Light Pictures
21 Goodge StreetLondon
W1T 2PJ
Page updates
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See also
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Revolting Rhymes Part One
Director: Jan Lachauer, Jakob Schuh; Co-Director: Bin-Han To
Year: 2016
Snow White and Red Riding Hood become lifelong friends as Snow White takes on the might of the wicked Queen, whilst Red is called home to deal with a pair of hungry wolves - one who has eaten her grandma and then dressed in her clothes, and another who can't stop himself from eating some unsuspecting pigs.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.