Road To Las Vegas
Synopsis
Details
- Year
- 2010
- Type of project
- Features
- Running time
- 90 mins
- Director
-
Jason Massot
- Producer
- Sandra Whipham
- Executive Producer
- Sandra Whipham
- Editor
- Alan Mackay
- Director of Photography
- Jason Massot
- Composer
- Glenn Jones
Categories
Production Status
Production Company
RISE films Ltd
46 Berwick StreetLondon W1F 8SG
UK
T +44 (0)20 3214 6072
Sales Company
RISE films Ltd
46 Berwick StreetLondon
W1F 8SG
UK
Tel: +44 (0)20 3214 6072
Fax: +44 (0)20 3214 6070
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Into The Promised Land
Director: Jason Massot
Year: 2010
Vanessa and Maurice, an African-American couple with five kids, leave Alaska for Las Vegas in search of a better life. Filmed over four years, it is a story of love and family set against the turbulent backdrop of economic boom and bust.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.