Rough and Ready 3
Synopsis
Details
- Year
- 2011
- Type of project
- Features
- Director
-
Jim Dickinson
- Producer
- Jess Hinchliffe, Granville Dickinson
- Co-Producer
- Jess Hinchliffe, Granville Dickinson
- Editor
- Jess Hnchliffe
- Screenwriter
- Jim Dickinson
- Principal cast
- Mike Mitchell, Paul Monaghan, Steve Garry, Clive R Cope, Marvyn Dickinson
Categories
Production Status
Production Company
Big Cheese Films Ltd
143 High StreetHanging Heaton
Batley
West Yorkshire WF17 6DP
UK
bigcheesefilms@blueyonder.co.uk
Page updates
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See also
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Rough Around The Edges
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Year: 2010
Dole cheat Jeff picks up easy money, and women, as a male stripper known as “Mr Excalibur”, yet he’s strangely reluctant to go all the way. He lives next door to a bent, racist copper called Mr Pepper, who is hell bent on revenge against a trio of taxi drivers he blames for his woes. These taxi drivers, unaware of Pepper’s intentions, have their hands full with a problem of their own; they’ve accidentally suffocated a passenger by letting him sleep off a hang over in the boot of a taxi. They try every which way to dispose of the body, from an ill-judged attempt to feed it to piranha fish, to an unofficial burial. Meanwhile Louise, a ruthless student, sets her sights on the local hunk Danny, who‘s dating the town bike. She uses foul means to split them up, and announces a party at the weekend to charm him into her bed. Can the taxi drivers dispose of the dead body before the bent copper gets his revenge? Will Louise outwit the town bike and sink her claws into the local hunk? And just why won’t male stripper “Mr Excalibur” go all the way?
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.