SaF05
Synopsis
SaF05 is the last in a trilogy of videos that began with Stoneymollan Trail (2015) and was followed by BRIDGIT (2016). This autobiographical cycle traces the accumulation of affinities, desires and losses that form a self as it moves forward in time.
Official Selection Toronto International Film Festival - Wavelengths
Details
- Year
- 2019
- Type of project
- Shorts
- Running time
- 40 mins
- Director
-
Charlotte Prodger
- Producer
- Charlotte Prodger
- Editor
- Charlotte Prodger
- Colourist
- Jason R Moffat
Genre
Categories
Production Status
Production Company
Commissioned by Scotland + Venice – a partnership between Creative Scotland, British Council Scotland and the National Galleries of Scotland – with funding support from the National Lottery through Creative Scotland, and curated by Linsey Young with Cove Park
Charlotte Prodger
c/o Koppe AstnerSales Company
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See also
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Stoneymollan Trail
Director: Charlotte Prodger
Year: 2015
Using the metaphor of the Stoneymollan Trail, a hiking trail out of Glasgow, the film explores Charlotte Prodger’s personal archive, with material from multiple formats that includes an archive of miniDV tapes that Prodger shot between 1999 and 2004, recent footage shot on her iPhone and HD camera, and screenprinted graphic forms. The resulting single-screen video piece is a meditation on memory, subjectivity and desire. BFI London Film Festival 2015 - World premiere
A Season in Secret
Director: Matthew Berka
Year: 2027
A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”
Fevers
Director: James Richards
Year: 2026
Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere