Sanatorium Under the Sign of the Hourglass
Synopsis
Official Selection Venice Days 2024 - World premiere
Official Selection BFI London Film Festival 2024
Official Selection International Film Festival Rotterdam (IFFR) 2025
Details
- Year
- 2024
- Type of project
- Features
- Running time
- 76 min
- Director
-
Quay Brothers (Stephen Quay, Timothy Quay)
- Producer
- Lucie Conrad
- Executive Producer
- Keith Griffiths
- Principal cast
- Tadeusz Janiszewski, Wioletta Kopaska, Andrzej Kak
Genre
Production Status
Production Company
UK, Germany, Poland co-production
Supported by BFI
Koninck Studios SPK Galicia (UK), IKH Pictures Poroduction (PL), Telewizja Polska [TVP] (PL), The Match Factory (DE, UK), Adam Mickiewicz Institute (PL)
Koninck Studio SPK Galicia
c/o The Match FactorySales Company
Page updates
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See also
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The Doll's Breath
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Year: 2019
Horacio, a former window dresser, sets up complicated charades where women and life-sized dolls change places in a web of jealousy, betrayal and murder. Inspired by Felisberto Hernández's 'Las Hortensias'. Official Selection L'Étrange Festival 2019 - World premiere Official Selection BFI London Film Festival 2019 - Special Events Official Selection International Film Festival Rotterdam 2020 - Deep Focus
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.