Schneider's 2nd Stage
Synopsis
It's just the beginning of a nightmare of no escape - and what he discovers in the forest across the dark waters of the lake will change his life forever.
Details
- Year
- 2001
- Type of project
- Shorts
- Running time
- 16.38 mins
- Format
- 35mm
- Director
-
Phil Stoole
- Producer
- Phil Stoole
- Editor
- Geraint Huw Reynolds
- Screenwriter
- Phil Stoole
- Director of Photography
- Roger Lanser
- Sound
- Peter Glossop
- Composer
- John Ross
- Principal cast
- Kenneth Branagh, Gerard Horan, Jimmy Yuill
Categories
Production Status
Production Company
Contact: Phil Stoole
Garden Flat, 4 Sisters AvenueLondon SW11 5SG
UK
T 020 7585 2286
phil_stoole@yahoo.com
Sales Company
Contact: Phil Stoole
Garden Flat, 4 Sisters AvenueLondon SW11 5SG
UK
T 020 7585 2286
phil_stoole@yahoo.com
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Schneider's 2nd Stage
Director: Phil Stoole
Year: 2000
Joe finds himself in a field in the middle of nowhere. His mobile phone rings and a voice tells him to look in the back of his car. What he finds there is the beginning of a nightmare from which he'll never escape.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.