Shelter in Place

Director: Zed Nelson

Year: 2019

As the glinting steel and mirror-glass skyscrapers of London’s financial hub edge ever closer, the area surrounding Hoxton Street has been transformed by hyper-gentrification and sky-high property prices. A traditional East London street less than a mile from the City of London – it is now the last bastion of the areas disadvantaged – a concentration of the aged, poor and dispossessed. Hoxton Street’s close-knit working-class community has absorbed waves of immigrants since the 1950s. But as traditional industry has withered, the latest influx of young urban hipsters followed closely by expensive restaurants, digital media start-ups and corporate property developers has brought a deepening sense of inequality. Sensing they have been left out of the changes swirling around them, the street’s ageing white residents, who lament the loss of their jobs and former ways of life, mirror the 52% of Britons who voted to leave the EU. Focusing on one street and its inhabitants over a four-year period, and set against the upheavals of rapid gentrification, years of austerity, the fallout from Grenfell and the eruption of Brexit, the film offers a revealing portrait of life in London today. Official Selection BFI London Film Festival 2019 - Debate Strand - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.