Shifting Units

Director: Chris Cooke

Year: 2003

One For The Road is a British anti-buddy movie exploring the frailty and weakness of male bonding. A black comedy, following the lives of four men who meet on a rehabilitation course for drink drivers who have lost their licences. Jimmy is young, ambitious and desperate to sell his late father's business; Paul has been salesman of the year three times running; Richard is a retired millionaire property developer and Mark, likable and honest, is a marijuana dependant taxi driver come part-time philosopher. Very quickly they realise the course is the networking opportunity of a lifetime as Paul, Mark and Jimmy plot to relieve Richard of some of his wealth. However, unbeknown to them, he is savvy to their plans and is always one step ahead. An innovative black comedy, the film pushes the boundaries of digital video technology as it follows the events of the four men on a week long course, bonding over the idiocy of Role Play, the battlefields of Paintball, nights of drinking and impotent passion, and an end of course celebration party round the pool at the millionaire's mansion.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.