Shooters
Synopsis
As they get deeper into London's underworld, it's clear that J's drug habit is spiralling out of control and his ruthless boss Max is already one step ahead of him. J's wife Marie wants out, but he has stopped listening and their world is falling apart. Then Max finds out about J's dealings and demands he betray Gilly, setting him up so he has no choice. Desperate, his back against the wall, J takes action the only way he knows how. But when all hell breaks loose, it is Gilly who has been playing a knife edged game all along.
Details
- Year
- 2002
- Type of project
- Features
- Running time
- 93 mins
- Format
- 35mm Kodak
- Director
-
Colin Teague, Glenn Durfort
- Producer
- George Skene
- Executive Producer
- George Skene
- Editor
- Kevin Whelan
- Screenwriter
- Gary Young, Andrew Howard, Louis Dempsey
- Director of Photography
- Tom Erisman BSC
- Sound
- Steve Hawley, Dave McCall
- Composer
- Kemal Ultranur
- Principal cast
- Adrian Dunbar, Andrew Howard, Louis Dempsey, Ioan Gruffyd, Matthew Rhys, Emma Fielding, Melanie Lynskey
Genre
Categories
Production Status
Production Company
Coolbeans Films/Catapult Productions
7 Ascham StreetLondon NW5 2PB
UK
T 00 44 (0)797 0950 579
coolbeansfilms@hotmail.com
Sales Company
PFG Entertainment
Contact: Ted Rosenblatt429 Santa Monica Boulevard
Santa Monica
California 90401
USA
T 00 1 310 393 5788
Page updates
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See also
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Shooters
Director: Colin Teague, Glenn Durfort
Year: 2000
The dark story of a young man freed from prison who betrays his best friend to escape London's seedy and depraved underground crime world, Shooters was written nearly seven years ago by three friends, Gary Young, Andrew Howard and Louis Dempsey. Last summer, they showed the script to young British directing and producing partnership Colin Teague and Marjory Bone of Cool Beans Productions, with whom Howard had worked as an actor on the 30-minute film North West One. "I liked the fact that it was gritty and raw and not in the same vein as the more cheeky chappy gangster films that have come out," Bone explains. "It was very realistic in the way it dealt with drugs and guns and not at all glamorous." Cool Beans agreed to produce the film with Dutch company Catapult Productions, run by Glenn Durfort, with whom Teague had studied at the London International Film School. Dutch producer Jan Bruinstroop came in as executive producer as both Bone and Teague were both first-time film-makers. The budget was raised via a private investor connected to Catapult Productions. Howard and Dempsey took the lead roles of the two friends while the cast was filled out with familiar names, such as Matthew Rhys and Ioan Gruffud. "We were lucky that Colin and Andrew played in a football team with some lads who happened to be up-and-coming British actors," says Bone. Principal photography took place during November and December in London. The production took up residence in a huge disused warehouse above a McDonald's in the King's Cross area. In addition to providing sets and studio space, the warehouse also housed production offices, wardrobe and prop departments. Several international sales agents are now in talks with Cool Beans to acquire the project.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.