Project Detail

Something In The Closet

Synopsis

A queer teenager struggles with her sexuality, as desires manifest their way from the depths of her eerie closet into reality.
Official Selection BFI London Film Festival 2019 - Journey Strand - World premiere

Details

Year
2019
Type of project
Shorts
Running time
14 mins
Director
Nosa Eke
Producer
Andrew Oldbury, Holly Carrington
Executive Producer
Jo Cadoret, Jon Max Spatz, Sam Larabi
Editor
Mdhamiri A Nkeme
Screenwriter
Nosa Eke, Alexandra Kessie
Director of Photography
Anna MacDonald
Production Designer
Danielle Bayliss
Sound
Michalianna Theofanopoulou
Composer
Mike Burrin
Principal cast
Demii Lee Walker, Sophie Lovett, Sacharissa Claxton, Francesca Barker Smith, Delainey Hayles

Categories

Production Status

Production Company

Funded by BFI NETWORK

Produced with support from Signature Pictures

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Intimacy Intimacy

Director: Nosa Eke

Year: 2022

To what extent has our intimacy become a commodity? Where is the outsized exaltation of subjectivity leading us? Why do we talk about oversharing intimacy? Does the unlimited circulation of information threaten our intimacy?

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.