Something To Make You Sing
Synopsis
Details
- Year
- 2000
- Type of project
- Shorts
- Running time
- 14 mins
- Format
- 35mm Kodak
- Director
-
Tim Rolt
- Producer
- Rodney Wilson, Peter Maniura
- Editor
- Jamie Crookston
- Director of Photography
- Jonathan Collinson
- Sound
- Adam Peacock
- Composer
- John Woolrich
- Principal cast
- Metin Marlow, Joseph Leick
- Executive Screen Writer
- Tim Rolt
Categories
Production Status
Production Company
Rapid Eye Movies Contact: Tim Rolt 13 Hague Street London E2 6HN T +44 (0)20 7613 0010 F +44 (0)20 7613 3997
Sales Company
Independent Prods BBC Music & Arts Room E168 East Tower TV Centre Wood Lane London W12 7RS T +44 (0)20 8576 9966 F +44 (0)20 8895 6372
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Peninsula
Director: Tim Rolt
Year: 2019
A magic realist tale of chance, karma and retribution inspired by the Brothers Grimm fable The Wanderers. On an isolated peninsula, a small band of outsiders and survivalists, led by an enigmatic, but fading and delusional matriarch, are severely tested by the unexpected arrival of two strangers. As the two strangers rivalry runs its course, the leadership of this out-of-the-way community is increasingly called into question and an extraordinary chain of events ensues.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.