Project Detail

Soul Boy

Synopsis

A short story about two homeless boys, a girl, a bag of money and a better life.

Details

Year
2006
Type of project
Shorts
Running time
10 mins
Format
Beta SP, Digi Beta
Director
Sarah Walker
Producer
Simon Woods, Natasha Carlish
Co-Producer
Simon Woods, Natasha Carlish
Editor
Sarah Walker
Screenwriter
Sarah Walker
Director of Photography
Stephanie Hardt
Sound
Oliver Rotchell
Composer
Rotunda, Maria Rodriguez
Principal cast
John Read, Sunny Radley, Corban Leigh

Categories

Production Status

Production Company

172-176 High Street

Quarry Bank
West Midlands DY5 2AB
UK

T +44 (0)795 8309 200

whitecated@aol.com

Sales Company

Birmingham School of Acting

The Link Building
Paradise Place
Birmingham B3 3HJ
UK

T+44 (0)121 262 6800

simon.woods@bssd.ac.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

420 Seconds of Love 420 Seconds of Love

Director: Sarah Walker

Year: 2003

A short film about love and the diverse relationships a girl encounters before finding herself.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.