St Trinian's
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 95 mins
- Format
- 35mm
- Director
-
Oliver Parker, Barnaby Thompson
- Producer
- Mark Hubbard, Oliver Parker, Barnaby Thompson
- Co-Producer
- Mark Hubbard
- Editor
- Max Hoskins
- Screenwriter
- Piers Ashworth, Nick Moorcroft
- Director of Photography
- Gavin Finney
- Production Designer
- Amanda McArthur
- Composer
- Charlie Mole
- Principal cast
- Rupert Everett, Colin Firth, Lena Headey, Jodie Whittaker, Russell Brand, Anna Chancellor, Stephen Fry, Celia Imrie, Toby Jones, Caterina Murino, Gemma Arterton, Lucy Punch, Talulah Riley, Mischa Barton
Genre
Categories
Production Status
Production Company
Ealing Studios
Ealing GreenLondon W5 5EP
UK
T +44 (0)20 8567 6655
www.ealingstudios.com
Sales Company
Ealing Studios
Ealing GreenLondon W5 5EP
UK
T +44 (0)20 8567 6655
www.ealingstudios.com
Page updates
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See also
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St Trinian's 2 and the legend of Fritton's Gold
Director: Oliver Parker, Barnaby Thompson
Year: 2010
The Goonies meets The Da Vinci Code in this St Trinian's sequel, with the anarchic school girls on the hunt for Fritton's legendary lost treasure.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.