Still
Synopsis
Details
- Year
- 2014
- Type of project
- Features
- Running time
- 97 mins
- Director
-
Simon Blake 1st Feature
- Producer
- Colette Delaney-Smith, Zorana Piggott
- Executive Producer
- Graeme Delaney-Smith, Peter Hampden, Norman Merry
- Editor
- Agnieszka Liggett
- Screenwriter
- Simon Blake
- Director of Photography
- Andy Parsons
- Production Designer
- Mayou Trikerioti
- Composer
- Alex Gray
- Principal cast
- Aidan Gillen, Jonathan Slinger, Elodie Yung, Amanda Mealing, Sonny Green, Kate Ashfield
Categories
Production Status
Production Company
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See also
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Black Noise
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Year: 2026
BLACK NOISE is a tale of those two uneasy bedfellows: Justice and Revenge. In a decaying country house hotel that once hid a brutal orphanage, Leda, a ghostwriter, arrives to interview a wealthy, dysfunctional family - intent on exposing their crimes. As she’s drawn under the spell of the enigmatic Butler and his ghostly silent staff, reality dissolves into hallucinatory fever dreams and the nightmarish black noise that accompanies them. Might it be that Leda has a fractured psyche? Herself also a victim of the abuse she seeks to uncover, stuck in a never-ending search for answers hidden deep within. A lavish memorial banquet becomes a Grand Guignol massacre, forcing her to confront how far she will go for justice and whether revenge can ever purge the atrocities of the past. A strangely seductive fantasy, richly atmospheric, a fractured narrative which slowly reveals itself as a cinematic fever dream. Official Selection Galway Film Fleadh 2026 - World premiere
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.