Sunlight
Synopsis
Official Selection Edinburgh International Film Festival 2024 - World premiere
Details
- Year
- 2024
- Type of project
- Features
- Running time
- 96 min
- Director
-
Nina Conti 1st Feature
- Producer
- Will Machin, Sam Parker, Keagan Karnes, Tabitha McDonald
- Executive Producer
- Christopher Guest, Michael Yates
- Editor
- Riaz Meer
- Screenwriter
- Shenoah Allen, Nina Conti
- Director of Photography
- James Kwan
- Production Designer
- Sarah Loeppke
- Composer
- Christoph Bauschinger
- Principal cast
- Nina Conti, Shenoah Allen
Genre
Categories
Production Status
Production Company
Anyway Content
c/o Issy Carr1 Neals Yard
Covent Garden
London
WC2H 9DP
https://metro-films.com/
Sales Company
Metro International Entertainment
Issy Carr1 Neals Yard
Covent Garden
London
WC2H 9DP
Page updates
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See also
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Her Master's Voice
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Year: 2012
Schiller said there is a watcher at the gate of the mind, and it is the watcher that prevents creativity, because creativity and insanity are almost the same thing. The ventriloquist’s doll can kill off the watcher of the mind allowing access to spontaneity and imagination. Acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to 'Venthaven', the resting place for puppets of dead ventriloquists. She gets to know her traveling partners along the way, and through them deconstructs both herself and her lost love in this ventriloquial docu-mocumentary requiem.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.