Swimming Pool
Synopsis
Official Selection Berlinale 2019 - Homage to Charlotte Rampling
Details
- Year
- 2003
- Type of project
- Features
- Running time
- 102 mins
- Director
-
François Ozon
- Producer
- Olivier Delbosc, Marc Missonnier
- Editor
- Monica Coleman
- Screenwriter
- François Ozon (screenplay), Emmanuèle Bernheim, Sionann O'Neill (translation: English)
- Director of Photography
- Yorick Le Saux
- Production Designer
- Wouter Zoon
- Sound
- Pascal Von Hatten
- Composer
- Philippe Rombi
- Principal cast
- Charlotte Rampling, Ludivine Sagnier, Charles Dance, Jean-Marie Lamour
Genre
Categories
Production Status
Production Company
France, UK co-production
A Fidélité Productions (FR) film in coproduction with France 2 Cinéma (FR),
Gimages Films (FR), Foz (FR) in association with Headforce Ltd. (UK), with the participation of Canal+ (FR)Sales Company
StudioCanal
Pascale Hornus1, Place du Spectacle
92130 Issy les Moulineaux
France
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Angel
Director: Francois Ozon
Year: 2008
Set in England at the turn of the last century, Angel recounts the glorious rise of Angel Deverell, a poor but passionately determined young woman, who climbs the social ladder by becoming a celebrated romantic novelist.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.