Taking Care of Business

Director: Simon Pearce

Year: 2013

From Simon R. Green, New York Times best-selling author of the Nightside and Deathstalker novels, comes "JUDAS GHOST", the first film adapted from his Ghost Finders book series. Ghosts exist. Whether you choose to believe in them or not. Luckily, so does the Carnacki Institute, a top secret organisation set up to combat the dead. When reports of the supernatural from an old village hall point to an apparently standard haunting, an elite team of Ghost Finders is dispatched to investigate. The team of four includes a cameraman and former Ghost Finder with a mysterious past, who is there to document events as a training tool for new recruits. But things go from bad to worse when it becomes clear that they are facing something far more sinister than they first anticipated. The hall harbours a dark secret and the team must use every trick they know to try and get out of there alive. Three men and one woman who think they've seen it all. That is, until they encounter the chilling Judas Ghost. Who will survive and what will be left of their souls?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.