Tattoos: A Scarred History

Director: SJ Evans

Year: 2009

In a truly terrifying and gruesome original script, Shadows Within is the first chapter of the ‘Unholy Trinity’, that takes you on a heart-stopping ridefrom the intriguing beginning to the shocking end. In the 1970’s, the town of Whitchurch was terrorised by a satanic cult led by the maniacal Samuel. To the towns relief, the police led by Detective Lyons, stopped the cult before they could sacrifice their next victim, Alison. With the death of their leader, the cult died, or so everyone thought. Nearly forty yearslater the killings have begun again and the body count is beginning to rise. Recognising the satanic markings, Lyons brings in Alex, the police coroner, tohelp search for any hidden clues as to who and why the satanic cult has beenreborn. As Alex delves deeper into the dark world, he puts not only himself but alsohis family into mortal danger. Watch in suspense as Alex desperately tries toput the pieces of the jigsaw together before his daughter, Alisha, becomes the next victim and literally all hell breaks out.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.