Tempesta

Director: Paul Tickell

Year: 2001

Christie Malry is a simple man. He lives with his mother and works in a bank. He discovers the principles of Double Entry Book-Keeping, for every Debit there must be a Credit, and the picture becomes clear: Debit Christie for offence received, Credit society for offence given. Christie opens his account with society and the reckoning begins, all accounts to be settled in full. His mother dies, he gets a girlfriend, the future looks bright. He starts to make the books balance with seemingly trivial acts of vandalism, but the clearer Christie sees the more he is owed and his actions escalate and all the while he remains in the eyes of the world a lowly clerk. Christie Malry is unstoppable but is brought to book in the end with bitter irony. With Christie's discovery of Double Entry we are thrown back in time to 15th century Italy and the inventor of modern accounting, a Dominican priest Fra Luca Pacioli. The past and present interweave. This is a black comedy, a fable for our time. Christie is the logical conclusion of a society devoted to money and its acquistion at all costs.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.