The 11th
Synopsis
Details
- Year
- 2018
- Type of project
- Shorts
- Running time
- 13 mins 40 secs
- Format
- 4K
- Director
-
Naomi Waring
- Producer
- Naomi Waring, Stuart Drennan
- Executive Producer
- London Film School
- Editor
- Kevin Barnett
- Screenwriter
- Naomi Waring
- Director of Photography
- Ryan Eddleston
- Production Designer
- Alexandra Moore
- Sound
- Stefania Fantini
- Composer
- James Grifft
- Principal cast
- James Doran, Stella Mcusker, Amy Rose Esdale, Campbell Hogan
- First AD
- Andrew Kullas, Peter Brown, Dwayne Douglas
Genre
Categories
Production Status
Production Company
London Film School
24 Shelton StreetLondon
WC2H 9UB
Sales Company
Ginette Harrold
London Film School24 Shelton Street
London
WC2H 9UB
Page updates
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See also
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Year: 2020
The importance of disco dancing in Northern Ireland's working class community.
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Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.