The Abduction Club

Director: Stefan Schwartz

Year: 2005

What do you do when you are made Best Man to someone you hardly know and end up falling for his bride to be? Olly is a gifted writer - in fact a publisher has given him a healthy advance. Unfortunately he has also been struck with writer's block and frittered away said advance. Then, out of the blue, James, Olly's best friend from university whom he has not seen for five years, gets in touch. James is getting married and he wants Olly to be his Best Man. Olly is immediately terrified about how he is going to write a speech when his writer's block is so extreme. His fears are briefly pushed aside at the engagement party when he meets the girl of his dreams - until James introduces her to Olly as Sarah, his bride to be! Murray, Olly's best friend, can see only one course of action - Olly must break up the happy couple and make Sarah his own. However, Olly opts for plan 'b' - to simply avoid Sarah at all costs. But this is not as easy as it seems, especially with Murray working behind the scenes. When Sarah unexpectedly calls off the wedding James begs Olly for his help. Olly is torn between his moral duty and his love for Sarah. He decides to come to his assistance and offers to help James write a letter expressing his feelings for Sarah. On reading Olly's words Sarah is smitten with James once more, but by now Olly has realised that James is not the man he thought he was. Can Olly prevent Sarah marrying the wrong man?

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.