The Applicant
Synopsis
Details
- Year
- 2007
- Type of project
- Shorts
- Running time
- 5 mins 20 secs
- Format
- 35mm
- Director
-
Faisal A Qureshi
- Producer
- Andy Wilson
- Co-Producer
- Andy Wilson
- Editor
- Carlos Domeques
- Screenwriter
- Faisal A Qureshi
- Director of Photography
- Philip Robertson
- Production Designer
- Richard Dawson
- Sound
- John Crumpton
- Composer
- Matthew Whitham
- Principal cast
- Parvez Qadir, Clare McGlinn, Ash Tandon, Emma Crews
Categories
Production Status
Production Company
Access Moving Image
HOST Media Centre21 Savile Mount
Leeds LS1 3HZ
UK
craig.lawson@accessmovingimage.org
Sales Company
Faisal A Qureshi
19 Appleby RoadCheadle SK8 4QD
UK
T+44(0)7747 604 814
faisal_a_qureshi@hotmail.com
Page updates
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See also
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Scribble
Director: Faisal A Qureshi
Year: 2006
A transcriptor tries to deal with the failures of technology.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.