The Bengali Detective

Director: Phil Cox

Year: 2017

Funk Queen Betty Davis changed the landscape for female artists in America. She “was the first…” as former husband Miles Davis said. “Madonna before Madonna, Prince before Prince”. An aspiring songwriter from a small steel town, Betty arrived on the '70s scene to break boundaries for women with her daring personality, iconic fashion and outrageous funk music. She befriended Jimi Hendrix and Sly Stone, wrote songs for the Chambers Brothers and the Commodores, and married Miles – startlingly turning him from jazz to funk on the album she named “Bitches Brew”. She then, despite being banned and boycotted, went on to become the first black woman to perform, write and manage herself. Betty was a feminist pioneer, inspiring and intimidating in a manner like no woman before. Then suddenly - she just vanished. Betty Mabry Davis is a global icon whose mysterious life story has until now, never been told. Creatively blending documentary, animation and nonfiction techniques, this movie traces the path of Betty’s life, after years of trying, the elusive Betty, forever the free-spirited Black Power Goddess, finally allowed the filmmakers to creatively tell her story based on their conversations. Official Selection IDFA 2017 - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.