The Booth

Director: Anthony Alleyne

Year: 2017

Mike, a young American traveller in his early twenties arrives at an airport in Spain, to meet his best friend Casey, who traveled ahead. After travelling over dusty terrain to a bar in a sweltering, isolated village, Mike meets a mysterious, beautiful Spanish woman, Lucia. With no sign of Casey, Mike goes back to Lucia's house sitting on the edge of the town, where he starts showing the effects of mild sunstroke. However, the next day, with no word from Casey, Mike tries to leave, but Lucia is resistant and convinces him to stay a little longer. The next morning, a disturbed Mike slips out of bed quietly, leaving the house just before dawn. Taking a wrong turn Mike gets lost and realises he is being followed. In blind panic, he runs, but this ultimately leaves him needing Lucia's help once more. Eventually, he discovers what has happened to his friend Casey. The full horror proves to be more disturbing than anyone could have ever imagined.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.