The Boys Are Back
Synopsis
When Harry, Joe's teenage son from his first marriage, visits on holiday from England, it’s clear that Joe’s game is up. With all the love in the world, Joe can’t control his two sons. After Joe leaves the boys home alone to go on assignment, all hell breaks loose. Faced with losing both Artie and Harry, is Joe man enough to save his family?
Details
- Year
- 2010
- Type of project
- Features
- Director
-
Scott Hicks
- Producer
- Tim White, Greg Brenman
- Screenwriter
- Alan Cubitt
- Principal cast
- Clive Owen, George Mackay, Nicholas McAnulty
Genre
Categories
Production Status
Production Company
Tiger Aspect Productions
5 Soho SquareLondon W1D 3QA
UK
T +44 (0) 20 7434 6700
Sales Company
HanWay Films
24 Hanway St.London W1T 1UH
UK
T +44 (0)207 290 0750
Page updates
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See also
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The Boys Are Back
Director: Scott Hicks
Year: 2010
When sports writer Joe Warr is suddenly widowed, he is determined to create a happy atmosphere at home for his six-year-old son Artie. But despite his best efforts, he can’t fill the emotional vacuum left by the loss of the boy's mother. Then Joe’s 14-year-old son Harry, from a previous marriage, descends. Having never visited his father before, Harry soon finds himself testing the limits of Joe's patience. Events spiral out of control when Joe has to leave the boys for a few days on business. The older beach kids move in with a riotous party at his home, and by the time Joe hears his elder son's desperate phone messages it's too late: the police have intervened, Artie has been rescued by his grandmother, and Harry has gone back home. Separated once again, Harry refuses to speak to his father. But Joe cannot accept their bond has been broken. To see his sons together again, he knows he must take dramatic action.
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.