The Brutalist
Synopsis
Official Selection Venice Film Festival 2024 - World premiere
Official Selection International Film Festival Rotterdam (IFFR) 2025
Details
- Year
- 2024
- Type of project
- Features
- Running time
- 215 min
- Director
-
Brady Corbet
- Producer
- Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews, Brian Young
- Co-Producer
- Saskia Gigi Duff, Joshua Horsfield
- Executive Producer
- Ron Curtis, Aaron Himmel, David Hinojosa, Joshua Horsfield, Pamela Koffler, Klaudia Smieja, Kyle Stroud, Christine Vachon
- Editor
- Dávid Jancsó
- Screenwriter
- Brady Corbet, Mona Fastvold
- Director of Photography
- Lol Crawley
- Production Designer
- Judy Becker
- Composer
- Daniel Blumberg
- Principal cast
- Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Isaach De Bankolé
Genre
Categories
Production Status
Production Company
Andrew Lauren Productions (US), Brookstreet Pictures (US, UK), Intake Films (UK), Killer Films (US), Madants (PL), Yellow Bear Films (US) production in association with Carte Blanche (US)
Intake Films
Sales Company
Page updates
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See also
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Year: 2015
A young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles witnesses a chilling rise of authoritarianism. His experiences mould his beliefs - and we witness the birth of a terrifying ego. An ominous portrait of emerging evil loosely inspired by the early childhood experiences of many of the great dictators of the 20th Century.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.