The Calcium Kid

Director: Alex De Rakoff

Year: 2010

When the recession is hitting the criminal world as hard as it is hitting Wall Street, New York gangster and loan shark, Mr Thigo (Curtis '50 Cent' Jackson) arrives in London to make an example out of one of his late payers. Already struggling financially, reformed ex- con Nick (Tamer Hassan) is given exactly 24 hours to come up with the £100,000 left on his bill or he is a DEAD MAN RUNNING. As a guarantee, Thigo’s men hold Nick’s wheelchair-bound mum (Brenda Blethyn) hostage, leaving him no choice but to comply. Enlisting the help of his best mate, Bing (Danny Dyer), the boys embark on a frantic race against the clock. Their mission takes them from the dog tracks of East London to the underground drug scene of Manchester as they try every trick and scam in the book to get the cash before it’s too late.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.