The Caretaker
Synopsis
Details
- Year
- 2001
- Type of project
- Shorts
- Running time
- 18.10 mins
- Format
- 35mm, Optical, Kodak
- Director
-
Charlotte Schram Hoel
- Producer
- The London International Film School
- Executive Producer
- The London International Film School
- Editor
- Charlotte Schram Hoel
- Screenwriter
- Charlotte Schram Hoel
- Director of Photography
- Florian N Gintenreiter
- Sound
- Guy Colle
- Composer
- Caleb Fawcett
- Principal cast
- Iain Jones, Isabele Defaut, Canelle Hoppe, Steve Paget, Barbara Elbourn, Cathryn Robson, Lucy Robson, Billy the Dog
Categories
Production Status
Production Company
The London International Film School
Contact: Chrissy Bright (Librarian)24 Shelton Street
London WC2H 9HP
UK
T +44 020 7836 9642 / Direct Line 020 7240 0161
Sales Company
The London International Film School
Contact: Chrissy Bright (Librarian)24 Shelton Street
London WC2H 9HP
UK
T +44 020 7836 9642 / Direct Line 020 7240 0161
Page updates
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See also
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The Caretaker
Director: Charlotte Schram Hoel
Year: 2000
Light satirical drama about the chaotic pleasure of relationship. A young caretaker is a non-believer in love, until he bumps into a French girl under a bed!
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.